{"created":"2023-06-20T13:41:43.860463+00:00","id":1508,"links":{},"metadata":{"_buckets":{"deposit":"a151eec7-0228-4f35-ac40-0b15ac6af499"},"_deposit":{"created_by":11,"id":"1508","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"1508"},"status":"published"},"_oai":{"id":"oai:kbu.repo.nii.ac.jp:00001508","sets":[]},"author_link":["3925","3924"],"item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2014-03-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"102","bibliographicPageStart":"91","bibliographicVolumeNumber":"52","bibliographic_titles":[{"bibliographic_title":"京都文教短期大学研究紀要"},{"bibliographic_title":"The Kenkyu kiyo","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"R. シューマンは、1830年から約10年に渡りピアノ独奏曲のみを作曲しており、その作品番号は、1から23までと初期の作品であることを示している。シューマンは、恋人クララへの想いを楽曲の動機に用いるなど、理想を追い求め想念を楽曲に反映させたロマン派の作曲家として有名になった。本稿では、作品1から23までのピアノ独奏曲と「幻想曲 ハ長調 作品17」の演奏解釈における特徴および共通点を検証した。","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"9","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00008987079","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN0033180X","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"03895467","subitem_source_identifier_type":"ISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"京都文教短期大学"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Kyoto Bunkyo Junior College"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"R.シューマン サッキョク ゼンキ サクヒン ノ　トクチョウ カラ ミタ　ゲンソウキョク ハチョウチョウ サクヒン17 ノ エンソウ コウシャク ニカンスル イチコウサツ"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"岩佐, 明子"},{"creatorName":"イワサ, アキコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3924","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"IWASA, Akiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3925","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-03-23"}],"displaytype":"detail","filename":"KJ00008987079.pdf","filesize":[{"value":"439.4 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KJ00008987079.pdf","url":"https://kbu.repo.nii.ac.jp/record/1508/files/KJ00008987079.pdf"},"version_id":"22c0d921-1586-4f2e-9c15-9efa15f6105e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"演奏解釈","subitem_subject_scheme":"Other"},{"subitem_subject":"演奏法","subitem_subject_scheme":"Other"},{"subitem_subject":"ピアノ独奏曲","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"R. シューマン作曲前期作品の特徴から見た「幻想曲 ハ長調 作品17」の演奏解釈に関する一考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"R. シューマン作曲前期作品の特徴から見た「幻想曲 ハ長調 作品17」の演奏解釈に関する一考察"},{"subitem_title":"An Studying Interpretation in Performance of Robert Schumann’s Fantasie in C Major, Opus 17, in Light of the Attributes of his early Compositions","subitem_title_language":"en"}]},"item_type_id":"3","owner":"11","path":["72"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-03-23"},"publish_date":"2017-03-23","publish_status":"0","recid":"1508","relation_version_is_last":true,"title":["R. シューマン作曲前期作品の特徴から見た「幻想曲 ハ長調 作品17」の演奏解釈に関する一考察"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-08-23T08:38:21.855852+00:00"}