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アイテム
福田たね ―生命力にあふれた現実的非凡―
https://kbu.repo.nii.ac.jp/records/1047
https://kbu.repo.nii.ac.jp/records/1047e2189308-7f17-4d6e-8243-7f4cebcb3e42
名前 / ファイル | ライセンス | アクション |
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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公開日 | 2017-03-23 | |||||||||||
タイトル | ||||||||||||
タイトル | 福田たね ―生命力にあふれた現実的非凡― | |||||||||||
言語 | ||||||||||||
言語 | jpn | |||||||||||
キーワード | ||||||||||||
言語 | en | |||||||||||
主題Scheme | Other | |||||||||||
主題 | female painter | |||||||||||
キーワード | ||||||||||||
言語 | en | |||||||||||
主題Scheme | Other | |||||||||||
主題 | vitality | |||||||||||
キーワード | ||||||||||||
言語 | en | |||||||||||
主題Scheme | Other | |||||||||||
主題 | triadic structure | |||||||||||
資源タイプ | ||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
資源タイプ | departmental bulletin paper | |||||||||||
雑誌書誌ID | ||||||||||||
収録物識別子タイプ | NCID | |||||||||||
収録物識別子 | AA12420188 | |||||||||||
著者 |
松田, 真理子
× 松田, 真理子
× MATSUDA, Mariko
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著者所属(日) | ||||||||||||
京都文教大学臨床心理学部臨床心理学科 | ||||||||||||
著者所属(英) | ||||||||||||
en | ||||||||||||
Kyoto Bunkyo University Department of Clinical Psychology Faculty of Clinical Psychology | ||||||||||||
記事種別(日) | ||||||||||||
内容記述タイプ | Other | |||||||||||
内容記述 | 論文 | |||||||||||
記事種別(英) | ||||||||||||
内容記述タイプ | Other | |||||||||||
内容記述 | Article | |||||||||||
抄録(英) | ||||||||||||
内容記述タイプ | Other | |||||||||||
内容記述 | In 1885, Tane Fukuda was born to her father Toyokichi Fukuda, an educator from Hagagun, Tochigi Prefecture, as the eldest of five children. She went to Tokyo to learn painting, and met painter Shigeru Aoki at the age of eighteen. There are characters modeled after Tane in all his representative works, such as “Fruits of the Sea” (Umi-no-sachi) and “Paradise under the Sea” (Wadatsumi no Iroko no Miya), and there is no question that Tane was Shigeruʼs creative inspiration. At that time, in the Meiji period, very few women left their homes for Tokyo alone to become a painter. However, not only was she a talented, hard-working, and visionary person of action, her father, Toyokichi, always provided her with emotional and financial support as well. She had many ups and downs, and her life was not peaceful. Although Tane went through all sorts of hardship, including becoming a single mother, parting from Aoki, and becoming separated from and the death of her own child, she never had serious psychological problems. Her life can be likened to a tapestry: with her career as a painter as the warp and her father, Aoki, and Nojiri in different stages of her life as the woof. Tane developed her self-confidence with the support of her father, respected Aokiʼs talents and helped him bear fruit, married Nojiri, and gave birth and raised children. She was a person of vitality who maintained her emotional stability despite countless hardships in life. | |||||||||||
書誌情報 |
臨床心理学部研究報告 en : Reports from the Faculty of Clinical Psychology, Kyoto Bunkyo University 巻 5, p. 57-71, 発行日 2013-03-31 |
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表示順 | ||||||||||||
内容記述タイプ | Other | |||||||||||
内容記述 | 5 | |||||||||||
アクセション番号 | ||||||||||||
内容記述タイプ | Other | |||||||||||
内容記述 | KJ00008597779 | |||||||||||
ISSN | ||||||||||||
収録物識別子タイプ | ISSN | |||||||||||
収録物識別子 | 18843751 |