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戦後(1945年以後)の都市文化の変化と流行-戦後社会史のなかで
https://kbu.repo.nii.ac.jp/records/1671
https://kbu.repo.nii.ac.jp/records/1671bc97b2d9-b9a4-43b1-a98f-85f486c2db57
| Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-03-23 | |||||||||
| タイトル | ||||||||||
| タイトル | 戦後(1945年以後)の都市文化の変化と流行-戦後社会史のなかで | |||||||||
| タイトル | ||||||||||
| タイトル | The Cultural Change of Postwar Japanese Urban Society: In the Context of Social History of Japan | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | metadata only access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||||||
| 雑誌書誌ID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA11291239 | |||||||||
| 著者 |
日野, 舜也
× 日野, 舜也
× HINO, Shunya
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| 著者所属(日) | ||||||||||
| 京都文教大学人間学部 | ||||||||||
| 著者所属(英) | ||||||||||
| en | ||||||||||
| KYOTO BUNKYO UNIVERSITY Department of Human Studies | ||||||||||
| 記事種別(日) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 論文 | |||||||||
| 記事種別(英) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | Article | |||||||||
| 抄録(日) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | UNK | |||||||||
| 抄録(英) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | This article aims to trace the process of social change of Japanese urban culture by the observation of the social phenomena by the author in his own postwar urban life. The author spent his childhood in the period of suppression and manipulation of the true information by the military government during the 15 years of the 2nd. World War. He then spent his school life in the era during which postwar democracy and restoration flourished up to the outbreak of the Korean war and the beginning of the cold war world. After that he started his academic life in the time of rapid economic growth. And participated in Japan's social and cultural change through his academic and family life. Now, he confronts the forthcoming "Internet period". In this article, the author intends to consider the social and cultural change of the postwar Japan in which he participated through his daily urban life and his research in social anthropology. As the scheme of the analysis, the author intends to present two aspects: namely, the functional typology of the mass media concerning with the urban family life, and the flow of socio-cultural change of the postwar Japan. The author first classifies mass media into three categories relating to urban family life, which he terms 1) "Visiting Media", 2) "Inviting Media", 3) "Delivering Media". Visiting Media refers to a group of media such as radio and TV, where it looks as if each home were visited by somebody bringing news whenever the switch is turned on. After the commercial broadcasts were introduced in 1951, each home is visited by the salesman in the name of "commercials" every time the switch is turned on. The author's term Inviting Media involves offering invitations to theater, cinema or drama events, giving people the opportunity of entertainment apart from their home environment. The category termed Delivering Media refers to reading materials such as newspapers, magazines or books, purchased and brought into the home by a family member. In addition, as new media such as rental video and the Internet appeared in society. Despite that it is increasingly difficult to make clear distinction among the above-mentioned categories, this typology will essencially become significant in considering the social and cultural phenomena in present urban society. Secondly, the author intends to divide the era of postwar Japan into four stages, (l) the stage of street (1945-55), (2) the stage of home (1956-70), (3) the stage of individualism (1971-89) and (4) the stage of indirect contact of uncertain individuals completely stranger to each other by keitai (the portable phone), and internet media (1991-). The stage of street, from 1945 to approximately 1955, urban people found their 86 field of activity mainly in the street outside of their home. After the disaster of indiscriminate bombing housing condition in the city were indeed miserable, the people in the city had no comfortable space in their home, and used to spend their time mainly outside in the street. The yami-ichi (black mart), amusement center, station plaza etc., presented such spaces for the urban people. Although their economic life were extremely poor, the people released from the blockade situation of the wartime, and enjoyed the democratic scene on the street. In 1950, when the Korean War occurred, the Japanese government under the Allied Occupation decided to take side with America and began to break the vow for peace and democracy. Although this war brought economic development to Japan, the restraint of freedom of speech and the tricky rearmament threw them the shadow of ambiguous anxiety for the future. After 1955, by the Japanese economic development, the housing condition were a little improved and people began to find housing which provided comfort. Especially, after the start of the Japan Housing Cooperation (Nihon Jutaku Kodan), the standardization of a set of small-scale (danchi size), but complete living including the dining and kitchen areas, unit bath and toilet and so on. It presented a model for mode of living henceforth the expression, "it is no more postwar era", became popular. Many kinds of durable goods such as cameras, refrigerators, mono-color televisions (soonly replaced by colored television), motorcars and so on, were introduced to nearly every home. The cinema industry was at its highest peak. The climax of this stage was symbolized by the opening of Tokyo Olympic Games. It was said it promoted the diffusion of the color television, which spread throughout the country. The opening of the Shinkansen and the super high way, the liberalization of the foreign tour, brought the stage of tourism. Thus, the stage of home was, at the same time, the stage of mass consumption and mass leisure. The so-called "generation of dankai (babyboomer)", created the youth culture within the stage of home'. People found their place of comfort at home. But, the stage of home was soon replaced by the next stage of individualism. The dispersion of the family, such as the increase in the number of working house wife, the increase of 'tanshin funin' business bachelors phenomenon in the husband's, case as well as the private room by the young generation in home, the diffusion of television games, "Play Station 2, private telephone and personal computor, was accelated. The diffusion of outside business such as the game-centers, 24 hour convenience stores, roadside business, discotheques and 'karaoke', also, accelated the separation of the family members and the growth of individualism. After 1990's, the tremendous diffusion of indirect communication media system such as keitai, e-mail, internet etc., introduced a new stage of 'indirect contact of among strangers transcending individualism. It may be difficult forsee the forthcoming phenomena. | |||||||||
| 書誌情報 |
人間・文化・心 : 京都文教大学人間学部研究報告 en : Reports from the Faculty of Human Studies, Kyoto Bunkyo University 巻 4, p. 69-86, 発行日 2002-03-25 |
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| 内容記述タイプ | Other | |||||||||
| 内容記述 | 6 | |||||||||
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| 内容記述タイプ | Other | |||||||||
| 内容記述 | KJ00009365359 | |||||||||
